Brian Godawa has been writing a fascinating fantasy series that takes place in the ancient Near East. It began with Noah Primeval which was rooted in the question, “What was going on in the world that was so horrible that mankind needed destroyed?” The series continued with Enoch Primordial (actually a prequel), which centered around the enigmatic Enoch. A man barely mentioned in the biblical accounts, but because he never died, and the other books attributed to him recount many a strange event, he has long been a person of high speculation.
Godawa now steps out from filling in between the lines of the biblical accounts with Gilgamesh Immortal. Taking off from events in the Noah episode, the tale of Gilgamesh provides a link to storie Godawa has next that is centered around Babel. One can’t study Near Wast cultures in a vacuum, so bringing in the most famous character from that region’s legends that isn’t chronicled in the biblical accounts was a perfect idea. Gilgamesh, a king and warrior of Mesopotamia, rules his empire with an iron fist. He has everything. Then he encounters a Wild Man that is his equal in many ways, and better in others. He begins to realize there has to be something more.
He wants immortality.
There begins his quest to conquer the weak and silent gods of old. These fallen angels had largely been destroyed and contained during the Great Flood, but he seeks out their remnant. It’s a journey full of adventure and death, while one of the most sinister of these “gods” is about to re-emerge and try to take Gilgamesh’s kingdom.
This book, along with the others, have Godawa’s trademark fast-paced storytelling. Their combination of fantasy and history is a largely original take on the people and places they are centered around. He also draws on the elusive references to Nephilim, Watchers and “sons of god” in the bible and other writings. For centuries, people have debated exactly what these beings were. Essentially Godawa is saying, “Maybe these references aren’t so mysterious. Maybe all of the ancient legends of battling gods aren’t just myth. Perhaps there are kernels of truth in them. Maybe there is a reason that the ancient cultures believed in them so much.”
It’s an intriguing premise. Perhaps it sounds irrational in our supposedly advanced world. But it’s perfectly reasonable to ask why did the ancient world pay so much credence to such things? Was it all just because of active imaginations? Or have we left behind part of our history we chose to forget?
Godawa’s series not only entertains, it asks such questions. And it gives us one possible imagining of the answers. It could have happened like this.
Darrick Dean 