Roughing It

We do not go to the green woods and crystal waters to rough it, we go to smooth it.  We get it rough enough at home; in towns and cities; in shops, offices, stores, banks – anywhere that we may be placed – with the necessity always present of being on time and up to our work; of providing for the dependent ones; of keeping up, catching up, or getting left.

So wrote George W. Sears – better known as Nessmuk – in his 1884 book Woodcraft. It has been in print ever since.

His words apply today just as they did over hundred years ago. We like to think we are better off than our ancestors in all ways, but clearly we are not. We still immerse ourselves in busyness and then complain we are exhausted and have no time. Nessmuk’s book was directed to such average folks – not the “man of millions” – in hopes they would find “at least once a year…a season of rest and relaxation” that they “well deserve.” He mentions those who succumbed to the “temptation to buy this or that bit of indispensable camp-kit.” If only he could see the outdoor industry now. He recommended we “go light; the lighter the better, so that the simplest material for health, comfort and enjoyment.” That’s something, I suppose, we can all consider in all parts of our lives.

The wild still calls to people as it has for generations. We’re almost aliens on this world, yet are uniquely designed to enjoy what John Eldredge calls the “extravagant beauty” that is all around us. We can’t raise nature to be a god and put it over the lives of humankind, but it is certainly there for those who wish to find it. Nessmuk ends his book with these words:

Wherefore, let us be thankful that there are still thousands of cool, green nooks besides crystal springs, where the weary soul may hide for a time, away from debts, duns and deviltries…

Free yourself from being busy. Eden awaits.

nes

Categories: Books, Nature | Tags: , , , , , | 1 Comment

Publishing Numbers “Wildly Wrong”

Didn’t have a chance to post this weekend, so I’ll send you over to Robert Bidinotto’s article, “New Data Demolish Key Claims by Big Publishers.” Therein he discusses the data released by author Hugh Howey which reveals some interesting insights on the state of publishing.

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Improving Your Craft

The other day I discussed some tips on writing dialogue.  Roz Morris gives some more insight in keeping your dialogue from being awkward or stilted.  Hayley Knighten reveals the 5 Worst Ways to Start Your Novel.  Lastly, Lynette Noni explains how to create a real fantasy world.

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Heir of Hope Cover Reveal

If you are looking for a new fantasy world to disappear into, check out Morgan Busse’s Follower of the Word series. Book 3 out soon…

Morgan L. Busse's avatarMorgan L. Busse

As you may have noticed, things have changed around my website. I am excited to reveal not only the new cover for Heir of Hope, but for all three books in the Follower of the Word series.

Why the new covers? My publisher decided to update Daughter of Light and Son of Truth so they matched Heir of Hope. Now the titles of each book are easier to see in thumbnail form and are definitely eye-catching. So without further ado, here they are:

Daughter of Light coverSon of Truth coverHeir of Hope coverPre-order is now available for the paperback version of Heir of Hope. If you are interested, here is the link: http://www.amazon.com/Heir-Hope-Follower-Morgan-Busse

There was a glitch on the ebook pre-order, but as soon as it is available, I will let you all know. Thank you, everyone, for your patience as you waited for the last book in the Follower of the Word series. This book is…

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Losing History

President Obama has caused quite the controversy by making comparisons of ISIS’s campaign of terror to the Crusades. I will let others debate what, how and why he said everything that he did. Since this site does touch on history time to time, I will discuss his comparison. How do I put this nicely?

It’s absolutely ridiculous.

The Crusades are often brought up primarily by those looking to attack Christians or knock them down a bit. They have fed the perception that the Crusades were all about expanding empires and destroying Islam. The problem is that this perception isn’t history.

It’s revisionist history.

During the early history of Christianity, its population was centered in what we typically refer to as part of the Middle East (technically the Near East and Asia Minor). It’s hard for some to imagine that a country like Egypt was once predominately Christian. What is left out of drive-by comments about the Crusades is the part about the Muslim Conquests that swept through the region, conquering nearly all of it. Princeton scholar Bernard Lewis wrote:

At the present time, the Crusades are often depicted as an early expansionist imperialism — a prefigurement of the modern European countries. To people of the time, both Muslim and Christian, they were no such thing. The Crusade was a delayed response to the jihad, the holy war for Islam, and its purpose was to recover by war what had been lost by war — to free the holy places of Christendom and open them once again, without impediment, to Christian pilgrimage.

Were the Crusades full of tragedies, horrible events and misguided people on both sides? Yes, because all war is a horrible tragedy. That doesn’t mean we rewrite history for our agendas. We let history, the good and the bad, speak for itself. We learn from it, so we don’t repeat it. Or, as George Orwell said, “The most effective way to destroy people is to deny and obliterate their own understanding of their history.”

The revisionism of the Crusades is such an obvious one, it’s sad to see world leaders repeat it. We’ve lost respect for the importance of history. Instead, we have replaced it with superficial study, politics and the tendency of too easily believing everything we hear. We are in danger of losing the messages our ancestors have left for us.

The very messages that can preserve humanity’s future.

crbks

Categories: Critical Thinking, History | Tags: , , , , , , | 2 Comments

How Do Your Characters Speak?

Dialogue seems awfully easy in English class, yet many writers get it wrong. You see, dialogue in novels isn’t supposed to be realistic.

“Huh?” you say.

If you wrote dialogue with all the little extras – the pauses, the unecessary words (um, like…), every variation from accent or region – it would be very tedious. In everyday speech, the brain processes out these things. When a writer tries to include all of them in the name of “realism,” they only annoy the reader. One has to be very selective in where such items are included, a specific purpose for each.

It’s also easy to drift too far into unrealistic speech.  Characters (rarely anyway) launch into paragraphs long commentary. People don’t talk this way and this is usually a sign of author intrusion. That is, the author wants to teach the reader something , lecture them or impart some wonderful piece of knowledge to them. These “info dumps” are just telling instead of showing. Find a more organic way to include the information in your story. Very often you’ll find that the delete button is in order. Make sure it sounds like your character is talking and not you.

Many writers abhor short sentences, believing if it’s short that it must be grammatically incorrect. This is not true. Shortened dialogue can signify tempo, or change of it, of the scene. This is very popular in television scripts. Do people really talk like this? Rarely, but in writing it imparts necessary information to the reader (or viewer).

How should people talk in your books? There’s a great line in the film National Treasure that gives us insight. Nicholas Cage’s character says something profound to his female friend. She replies that people really don’t talk like that, to which he says, “No, but they think like that.”  People’s thoughts are usually clearer, more reasoned and more detailed than what comes out of their mouths. So dialogue, out of necessity, must project a bit more than normal speech, but not too much more.

Who said writing was easy?

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Allure of Islands

Islands.

Something about them has always drawn people to them, in real life and in fiction, for a variety of reasons. They are disconnected from the world and hideaways from life. Some are marooned on them. Pirates love them. They harbor lost worlds and indecipherable mysteries. Film and television has a constant stream of island adventure, but many of those tales, and our fascination with them, originated in books. Treasure Island, Robinson Crusoe, The Island of Doctor Moreau, The Land That Time Forgot and others set the precedent.

Perhaps it takes going to the island to learn more about ourselves. Or, at times, just to have fun.

bkspir

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How Did People Survive Before the Internet?

Unfortunately, they weren’t reading this website. They were, however, just as capable of us of finding something to do. Kids weren’t wondering aimlessly without their tablets and phones. In fact, we aren’t all that far removed from the days when kids played outside all day and had to practically be forced back home for meals and bedtime. Nor did folks pull up the internet every time they needed to learn how to make, fix or craft something.  Someone at sometime taught them in person.

The books below embody some of that old time knowledge and know-how for outdoor projects, skills and survival. Many of these books have been in print, in one form another, for decades. They are for collectors of nostalgia, those who would like to get their hands dirty or people who want to learn their way through the woods without a GPS and survive without a grocery store.

Someday we may all wish we had taken the time to preserve the wisdom of those who came before us.

udl

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Write With Your Voice, Not Someone Else’s

Too often authors write what they think people want to read. Or they try to conform to the established expectations of a genre. The problem with these things are that the writer isn’t being true to themselves. Their writing suffers in the process. Author Morgan Busse writes in “Surprised by My Own Voice:”

I write fantasy. When most people think of fantasy, they think of J.R.R. Tolkien. His voice is eloquent, lengthy, lyrical, and full of description. Many fantasy writers share a similar kind of voice…

However, my voice is different. I discovered my voice after writing Daughter of Light, the first book in my epic fantasy series. My writing voice is blunt, short, and to the point. I tell the story in a strong, quick tempo, moving along at a clip pace. Not the style usually employed by the average fantasy writer.

A couple reviews reflected the fact that some readers did not like my voice. They wanted the poetic sound usually found in fantasy.

I didn’t know what to do, so I decided to try and change my voice. I believed I needed to write in a certain way in order to be a fantasy writer. It was like trying to write a square word into a round story. It didn’t work. In fact, those scenes stuck out so bad that my editor called me on it. He gave me the freedom to be me, and to write like me.

Don’t let others define you. Find your voice and let it be heard.

Or read.

Categories: Fiction, Writing | Tags: , | 2 Comments

Will Readers “Misunderstand” Your Book?

I wonder how much authors worry about how readers misunderstanding what their book is about. Its meanings, themes and intentions. Some authors might overcompensate by entering the story and explaining too much. This “author intrusion” often makes a character sound out of character or exposition sound like a lecture. Authors should realize not every reader is going to get, or like, everything you have written and that’s okay. A mature reader isn’t going throw down your book if he or she doesn’t agree with every sentence you write. They might do so if your book isn’t entertaining or is unreadable.

I mentioned in an earlier post on how modern readers like to reinterpret older books (in that case Dracula) through modern eyes. When an author is still living, or wrote about their books, it’s always best to default to their explanations. After all, they wrote the book. J.R.R. Tolkien’s The Lord of the Rings is brimming with themes and meaning, but it was no allegory. The author wrote:

There is no ‘symbolism’ or conscious allegory in my story…To ask if the Orcs ‘are’ communists is to me as sensible as asking if Communists are Orcs.

Devin Brown continues by asking, “Don’t they share a number of similarities? [along with Sauron/Hitler, etc.] Of course they do.” But he adds what Tolkien explained, “I think many confuse ‘applicability’ with ‘allegory.'”

Of course, “everyone knows” C.S. Lewis’ The Lion, the Witch and the Wardrobe was an allegory. Everyone forgot to tell C.S. Lewis. He said he never intended to write an allegory, the story unfolded as it did. He also wrote:

As we know, almost anything can be read into any book if you are determined enough…[the author] will find reviewers, both favorable and hostile, reading into his stories all manner of allegories which he never intended. (Some of the allegories thus imposed on my own books have been so ingenious and interesting that I often wish I has thought of them myself.)

So focus on writing your story. Understand not everyone will like it or get all the wonderful things you are trying to get across. Nor should you attempt to appease everyone or your story will most likely end up not being very interesting. Make your tale organic and entertaining. Use the tools you have to improve your craft.

Because ultimately the mythos you create is yours and someone out there wants to enter it.

Categories: Books, Writing | Tags: , , , , , , , | 2 Comments

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