If you haven’t been reading Brian Godawa’s Chronicles of the Nephilim books, you’ve been missing an unique fusion of ancient history and fantasy. Godawa begins with two premises: One, the fantastic tales from ancient history often contain kernels of truth. Two, many of the early biblical accounts leave a lot unsaid.
What was so horrible in Noah’s day that people had to be destroyed? This flood account was repeated in other Near East histories as well, though often in a much embellished and fantastic way. Why did Enoch avoid death? And in Godawa’s most recent book, was God’s chosen person Abraham that classic stereotypical, pastoral old guy? Or did God choose someone far more dynamic?
In Abraham Allegiant, Godawa puts some depth to the person we know as Abraham. Think about it, the bible tells us very little about this person. In reality, he had a life, a history. It’s like how you often know your grandparents as they are now, but not really as they were. Their life to the point you met them. Everything that happened to make them what you now see. That’s what Godawa does in all if his books, tell the stories behind the name.
This is all set against the War of the Seed as the fallen angels and their mutated giants scheme and fight to reconquer the world. The current novel, as with the rest, is replete with intrigue and battle. Abraham finds himself in the middle of this war and Godawa has managed to find ways to combine his story with those of Babel and Sodom and Gomorrah.
If this all sounds too biblical for you, rest assured, this isn’t what would be considered stereotypical “Christian fiction.” Godawa attempts to bring a level of realism not often found in that genre, but not going overboard like some other writers may be inclined. As he writes on his site, he uses the descriptions and realism level in the bible as a guide. So the content of his books may surprise readers ready to write it off as “just” biblical inspired fiction. It will probably also bother those not as familiar with the bible as they think they are. They may also object that Godawa is creating parts of these stories that are unknown to us. Such objections are silly as Godawa isn’t writing history here, nor claims to be doing so. We shouldn’t be so fragile as to not allow ourselves to imagine how events unknown may have happened.
Some of the humor seems goofy in an anachronistic way, but action and characters only continue to get better. It is always dangerous for an author to give away too much in the “author’s notes” section (or Godawa’s Appendices), but it works well here. Perhaps because it doesn’t make his story seem as fictionalized as one might suspect. His combining in this book of what are usually considered widely separated events works well for his story, but I’m sure many scholars will challenge the basis for his choices.
These books are a hybrid of historical fiction and fantasy. They will appeal to a broad swath of readers, especially if you are looking for something new and fresh. As always, it is best to start at the beginning of the series.
So leave your apprehensions and misconceptions behind and choose a side in the War of the Seed.
And on 
Darrick Dean 