Why are Thrillers named such? That’s largely up to the talent of the writer. They have to grab us and not let go for hundreds of pages. The best of them draw many details from the real world. Even in all the action and far-from-our-own-life-as-possible events happening to the characters, it’s those truths that hook you even further. They draw you in, get you thinking or upset you.
Tom Clancy is known for coming up with details in his techno-thrillers that seem almost too real. Sometimes prophetically so. They have even caught the attention of the military, wondering how he predicted events like terrorists using planes as weapons prior to 9/11. I guess the government doesn’t have all the smart people.
In Robert Bidinotto‘s Hunter draws from the author’s background in researching the criminal justice system. Amongst the action and spycraft it gives readers something to think about. Namely, problems in the justice system that few want to address.
Glenn Beck’s Overton Window takes events from recent history and weaves them into a fictional, yet troubling tale of what our nation could become. Politicos out there will be surprised that it is a story about all in power. It’s hard to tell politicians apart anymore, and perhaps the most insidious part of it all, much of what they do is out there in plain sight.
In The Constantine Codex, author Paul Maier, continues the current fascination with religious-thrillers. Lost scrolls, hidden secrets, haven’t we had enough? Except here we have Maier, a professor of ancient history, infuse his book with real history — nonetheless provocative to some — not the spurious pseudo-histories many authors draw on.
Many authors are talented at making their stories seem real. They have to be, because they are full of impossible situations, especially when you get into genres like fantasy and sci-fi. Those, however, who weave fact in their fiction, are those who best understand the craft of writing.
It entertains. It teaches. It provokes.
And on 
Darrick Dean 