War with Resistance

Steven Pressfield, in The War of Art, chronicles the war against Resistance, a war in which all writers engage. Indeed, it’s the on-going battle everyone must fight to achieve their purpose:

Most of us have two lives. The life we live, and the unlived life within. Between the two stands Resistance.

Have you ever brought home a treadmill and let it gather dust in the attic?  Ever quit a diet…wanted to be a mother, a doctor, an advocate for the weak and helpless…? Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn’t write, a painter who doesn’t paint, an entrepreneur who never starts a venture? Then you know what Resistance is.

Look in your own heart. Unless I’m crazy, right now a still, small voice is piping up, telling you as it has ten thousand times before, the calling that is yours and yours alone. You know it. No one has to tell you..you’re no closer to taking action on it that you were yesterday or will be tomorrow. You think Resistance isn’t real? Resistance will bury you.

What I Do

…It’s about ten-thirty now. I sit down and plunge in. When I start making typos, I know I’m getting tired. That’s four hours or so…I wrap up for the day. Copy whatever I’ve done and stash the disk in the glove compartment of the truck in case there is a fire and I have to run for it…How many pages have I produced? I don’t care. Are they any good? I don’t even think about it…All that counts is that, for this day, for this session, I have overcome Resistance.

 
More from Steve soon. In the meantime, identify Resistance and tell it you won’t go down without a fight.

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Do You Have to be a Scientist to Understand?

Molecular biologist Douglas Axe, whose credentials include U.C. Berkeley, Caltech and Cambridge, has written quite the clarion call for us to return to sound science in Undeniable. As the subtitle How Biology Confirms our Intuition that Life is Designed indicates, a central focus is the debate on the successes, or failures, of Darwinian biology to explain life as we know it. Indeed, Axe brings some detailed and technical science to bear on this topic, but he is using that discussion to explain how science is not unreachable or unknowable by the masses. We need not blindly follow experts or celebrity scientists unquestionably. To do this, we first must rid ourselves of flawed views of science.

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Equality and Diversity of Humans…and Elves?

Fantasy tales are often populated with a wide array of beings. Elves, humans and dwarves are a common trio, along with trolls, orcs and countless other variations. Not all authors have filled their stories with these fantastic races to purposely tell stories of diversity or race-relations.  However, long before terms like diversity were buzzing in everyone’s minds, two masters of fantasy had made a statement on equality among people. Joseph Loconte writes in A Hobbit, A Wardrobe, and a Great War:

[J.R.R.] Tolkien and [C.S.] Lewis encountered the horrific progeny of [eugenics] in the trenches and barbed wire and mortars of the Great War [World War I] — and it gave them great pause about human potentiality…the characters in their novels possess a great nobility, creatures endowed with a unique capacity for virtue, courage, and love. Indeed, a vital theme throughout is the sacred worth of the individual soul in Middle-Earth and Narnia, every life is of immense consequence.

The “races” of Narnia and Middle-Earth are very much like us, always at odds with each other: Elves hate dwarves; elves look down on humans; hobbits are obviously different from their larger human cousins; orcs once were elves.  And yet the fellowship of the ring throws together polar opposite, feuding races in a quest to the save the world.

Against all odds, they succeeded.  A powerful message among the many in these stories.

Tolkien and Lewis began writing during a time when eugenics was on the rise. This misuse of science and philosophies pretending to be science was rationale to cleanse humanity of undesirable races, beliefs or attributes. People remember the result of this horror in World War II under the Nazis, yet don’t know that this thinking had been promoted among the “elite” thinkers and governments across the world for decades.

While many many post-WWI writers saw hopelessness, and others turned to Progress as a god to right humanity, Tolkien and Lewis saw the importance of every life. They wrote of evil that couldn’t be reasoned away — and could be hidden behind “science” and “progress.” The equality of peoples doesn’t automatically equate to the equality of ideas and actions. Even Tolkien’s “dreadful orcs are presented as rational beings” — but being rational isn’t the same as being on the side of virtue.

Middle-Earth and Narnia showed how mankind, even with its capacity for wrong, has innate qualities that can defeat the most terrible of evils; qualities that transcend superficial differences among people, and show that we are much more than a result of randomness and fate.

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Myths & Monsters

Why do myths from centuries and even millennia in the past still fascinate us? Why does the quest of the Hero find its way into so many stories? Can these legendary tales still help us find our purpose? The new 6-part documentary series, Myths & Monsters explores these questions and the myths that have endured for countless generations. Check the trailer out here:

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Is Masculinity “toxic”?

The past few weeks has seen the endless parade of deviants being outed in Hollywood and government. This nuking of the swamp is long overdue and hopefully marks permanent change, but in-depth discussion of all that has occurred is lacking. I know this is a bit off-topic for me, but for those who are interested, what follows are some reflections on some of what has been debated in the media.

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Dark Snowfall

The following is an all new story — a Lost Tale of sorts — set in the world of the Watchers of the Light that was first revealed in Among the Shadows. Readers of AtS will have met Milena before. Those who have not are about to learn why the Darkness fears her. Enjoy…

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Rules to Follow, and Break, to Begin Your Story

Moby Dick. The Hobbit. A Tale of Two Cities.

All have classic beginnings, ones many readers know by heart. And therein lies one of the great challenges of writing: The beginning. The hook. Finding a way to convince people to continue past the first sentence in your Moby Dick length epic in this soundbite world

So are there hard and fast rules to help your catchy first sentence to not turn away readers? There are many recommendations that can keep your first lines from sounding clichéd, as Joe Konrath lists in “How Not to Start a Story.”

After reading his article you may, like I did, start pulling books off the shelf and seeing how many examples of rule violations you discover. There are always exceptions, but many of his points concern avoiding clichés and not boring the reader. Creative writing should be, well, creative. However, be careful to not throw the baby out with bathwater.

Take the “no prologues” rule that many swear by. It isn’t that prologues are bad book structure, rather it’s that many people don’t know how to write one correctly. The Prologue, like a Chapter 1, must kick off your narrative, but it does so while adding some additional layers. Quite often, it’s part of the story that is out of time sequence with what follows. The connections should be clear in the chapter that follows the prologue, or it isn’t a prologue. This, combined with the fact that the prologue must also launch the story, makes execution a little more difficult for the writer. The payoff can be worth it, especially if you also include elements that foreshadow plot points deep in your narrative.

Typically readers could care less how you label your chapters, but a writer can use this old school, traditional structure to set something apart. It’s a subliminal way to place something in your reader’s mind. Ultimately, if your Prologue works as a Chapter 1, it probably isn’t a prologue.

A good one, though, may help pull your reader into your Hobbit hole from word one and not let go.

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Why do Young Readers Turn to Fantasy?

The fantasy genre has exploded in popularity over the past twenty years. From the big screen adaptations of The Lord of the Rings, Harry Potter and The Chronicles of Narnia, to endless new novels often directed to teens and young adults. Fantasy has always appealed to younger readers as escapism, but is this the only reason, or is there something more for the current generation?

Rebecca LuElla Miller writes of deeper reasons in The Appeal Of Fantasy For Young Adults, in that these readers have been:

…expected to do little more than have a good time and do their homework, [now they] long for significance. They want to do something that matters, that has eternal purpose…long for a life that matters, and they find in fantasy a world that needs someone who will step up and do just that.

Then too, fantasy helps young people organize the world. There is moral right and wrong, and the characters in fantasy must align themselves with one or the other. There’s also history that makes a difference in the here and now, prophesy that tells about the future, and decisions that make or break a destiny.

So I suspect that these, and the other reasons that LuElla details, are not all that different for all age groups. Finding your true purpose, your place in the Story, is the desire that burns in all people.

Younger readers just haven’t given up on that quest. They haven’t allowed societal forces to tell them where to go or what to do. Yes, one could also argue that flawed materialistic and relativistic beliefs have replaced solid and logical worldviews.

Perhaps a good dose of fantasy is, ironically, needed to show us reality.

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A Hobbit, A Wardrobe and a Great War

Check out the trailer for the upcoming series on J.R.R. Tolkien and C.S. Lewis:

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Awakened, Uncontrollable Power

Kat Bloodmayne was experimented on by her father.  Now her soul is dying and an uncontrollable power within her threatens all around her.

When we last left Kat in Tainted, she had learned of the darkness infecting her father.  He seeks to capture her and take her power for an insidious Frankenstein-esque goal — and is willing to sacrifice his daughter in the process.

Now, in Awakened, Morgan L. Busse continues Kat’s trials as she seeks a cure for what is destroying her from within, while her father’s bounty hunters chase her to the ends of Austrium.

Awakened is set in a steampunk era that almost was: Victorian style, merged with the industrial age, and one of airships and mechanized war.  So are you ready to enter this world where the Darkness is rapidly descending? Will Kat control her power and restore her soul?

Or will she destroy all those around her, even those she loves?

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