Promoting Your Book, Off-line

Writers dream of big newspaper ads, displays in bookstores and maybe a radio spot or two. Truth is, most books are not marketed like a movie release campaign. Authors also quickly realize that they hold much of the responsibility for getting their book noticed. Often this requires willingness to do some old-fashioned networking.

Ren Garcia, the mind behind the League of Elder series, writes that nothing is off the table:

“A key component of spreading the plague that is my brand is showing my smiling face: craft shows, bake shows, car shows, any place I can set up a table is fair game.” And then there is the convention scene where it is easy to be overlooked, but as Ren writes, “For me, the greatest value of attending a convention is the contacts and genuine friendships I make. I walk around and talk to the authors and show genuine interest in their work. I listen to them.”

Robert Bidinotto, author of the Dylan Hunter novels, details that something as apparently mundane (in our electronic world anyway) as business cards can effectively spread the word about your book. He explains:

“…by far the best way to use them is person-to-person. Every time you meet someone new, they want to know what you do. ‘I’m an author,’ you say, and hand them your card. If you have a spiffy-looking book cover, your card will impress them and very likely generate questions.” In other words, be proud that you are writer and let people know. He adds: “But you don’t have to wait around to encounter strangers. You are constantly running into strangers: store clerks, waiters and waitresses, barbers and hair stylists, people sitting next to you in coffee shops, the clerk at the post office window. You can initiate a conversation, quite naturally…” Read the rest of his post for an amusing little lesson in bringing your book up to complete strangers.

So instead of waiting for the big movie trailer for your book, explore every and any opportunity to make your epic story known.

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Summer is Close….

For many, this weekend marks the unofficial start of summer. For us purists, we have until mid-June for the real deal. In either case, summers unearth years of memories from everyone’s past. All differ a bit, but so many are the same: Summer vacation, blue skies, swimming, friends, beaches…

One of the best books to capture the essence of summer is Ray Bradbury’s Dandelion Wine. It’s one of the few times he left sci-fi and horror, yet is still quintessential Bradbury. Set in the Midwest in (now) distant 1928, 12-year-old Douglas Spaulding’s summer adventures will remind everyone of those July and August days long thought forgotten. A must for your reading list in the coming weeks of Sun as you sip on lemonade or dandelion wine under the shade of a towering oak…

Dandelion Wine

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Reinventing Barnes and Noble

Once again, come the predictions of the end of Barnes and Noble.  Even with the end of Borders,  B&N has had troubles, with many laying the blame at the foot of Amazon and its Kindle-led e-book revolution.

As usual, it is never quite that simple.

I’ve seen many bookstores pop up in former Borders locations. Amazon is a great place to shop for books, and is the legend of internet commerce, but its profit margin isn’t all that high [And since I first wrote this, Amazon has begun to open stores, seeing the profitability in them.  Indie bookstores have seen strong growth. Who says no one buys real books?]. Ironically, B&N stores compete against e-books — all the while pushing its Nook reader — and its own website. All stores have websites, that isn’t the only problem. B&N does make money, if in decreasing fashion. It can survive, if it reinvents itself. That is, it will if it gets back to the basics it began with:

Become known as the local neighborhood bookseller, rather than the national chain bookstore.

The suggestions below are the same I made about a year ago. To these I add this: Forget the Nook. Let Amazon and Apple and all the others have it. E-books are here to stay, but be the old-fashioned bookstore. Be the specialty store. Paper books will never disappear. They are timeless and durable. Just like we treasure ancient tomes, so will the future want ours. And these:

1. Make that regional and local book section more prominent. Expand it. Make your store the one stop place for anyone looking for local authors and books on area subjects.

2. Ditch the cafes. Never stepped foot in one. You’re a bookstore. Yes, there are people who like to hang out in them, so farm them out to someone else. Get out of the food business. [Update: I have since “stepped foot” in the cafe once or twice. Not bad, but just not what I’m looking for when I go in a bookstore.]

3. Indie books and indie presses have grown rapidly in recent years. E-books are their main outlet because they still operate outside traditional distribution networks. Change this. Get their books in your stores.

4. Ditch the music and movie section. If e-commerce has hurt book sales, it has done more so for these other two. Save a spot for local artists, toss the rest. [Update: I realize that there has since been growth in vinyl records, which B&N sells. Good, sell them, but don’t bank on this or that fad (like adult coloring books). Fads come and go. Address them, but they can’t be at the core of your business.]

5. Enough of the $20 membership fee. Virtually no one charges for their loyalty cards.

6. Keep cutting unprofitable stores, but don’t pass up chances to open new, smaller stores in areas with a bookstore vacuum.

7. The kids area, the learning toy section and the games area are the best non-book items you have. They are better quality than what we find in department stores. But how many people know you sell this stuff? Your kids book section blows everyone — even Wal-Mart — away. Tell people. [And remove the toys that others have at cheaper prices. We all love Legos, but you can’t compete. Hobby board games are huge, your hobby board game section is great, but too small.]

8. Overall, your selection, style, arrangement and size of stores isn’t bad. Use your strengths as a national chain, but operate like a local store. Each market is different. Be able to respond and provide at an individual store level. Let them know that you are there. Host events more regularly. Be a destination.

Be like the stores of old. Books will never die, nor do you have to.

 

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Light vs. Darkness

The supernatural and fantasy shelves at the bookstore are overflowing with books looking to be The Next Best Thing. As with any genre that hits high levels of popularity, it has become saturated with many all too similar tales. Yet there is always a couple that stand out.

Tosca Lee‘s Demon: A Memoir takes a turn away from the urban action or romance-centered supernaturals. What if a demon, who had been around since the beginning, showed up and wanted you to write its story? That’s exactly what happens to writer Clay one day. The demon Lucian, who appears as a different human in each encounter, relates his personal experience of the Universe’s creation, the rise of Evil and the arrival of man. Eventually, though, Clay and Lucian’s story become intertwined. In many ways a thought-provoking book as it progresses, which adds depth to an entertaining page-turned. Ironically, though, I have seen readers complain when they weren’t warned that a book might challenge them or leave them some items to ponder. Can’t make everyone happy, I suppose.

Mande Matthews introduces readers to her ShadowLight Saga with the short The Light Keepers. Astrid, oppressed and locked away by her mother, is no ordinary girl. Her abilities have been growing and, of course, the evil in the world wants her for their own insidious plans. This prologue also includes a sneak-peak at Bonded. The Light Keepers will definitely leave you wanting to know what is to become of Astrid in what looks to be an epic saga between Light and Darkness.

And speaking of that, I have previously reviewed Morgan L. Busse‘s Follower of the Word series that begins with Daughter of Light. It is the story of Rowen Mar, another young woman who is learning she is not another average human in the Lands. Evil is rising and she is being called to make a choice, lead the fight or deny her gifts. Good and evil here aren’t the vague ideas of many novels. There is something real and tangible behind both. This book seems almost a prologue to a much longer story. The characters are just beginning to realize who they are. Evil is still spreading through the countryside and they have yet to fully engage in the struggle.

All of these books are about the battle between Darkness and Light. Why do so many explore this conflict?

Quite simply because fiction is often inspired by fact.

bk1 bk3bk2

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When Will You Tell Yours?

I wrote awhile back that everyone should put their story into print. Whether for the whole world, or just for family and friends, everyone should record at least some segment of their life for posterity.

Think about all the people that have come and gone. Few walk the Earth and not impact or influence others, whether they know it or not. Every person you meet, even for a fleeting moment, is a Point of Contact, a chance to make a ripple in their Stream of Time, their Story.

Take Randy Pausch’s The Last Lecture. After being diagnosed with terminal cancer, Pausch, who was a professor, presented his “Last Lecture” at his university. It wasn’t just on his field of expertise, but his life story, which he converted into his best-selling book.

Did he cram every bit of wisdom and experience of his life into a short book? No, of course not. What he did do was give windows into his life that would allow his children, some very young at the time, know who their father was.

Or as Ed Voss did in Rambling, a combination of true and fictional stories. Some people can tell as much, or more, about themselves through fiction as they can fact.

Everyone should take the time to put together books like these. They don’t have to be epics or perfect in prose or looking for fame and fortune. Everyone has stories that deserve to be told and preserved.

When will you tell yours?

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Today is the Day

Angela Misri's avatarAngela misri's website

Today is the day Get out there people, write something that makes you Proud.

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Traveling the River of Time

We are often implored to remember the lessons of history, and on a more frequent basis, ignore that suggestion. Yet fiction has long been fascinated with time travel. Particularly science-fiction, but it seems we have this unconscious desire to return to better times, sight-see or change what came before.

The time travel story isn’t always an easy one in a world where science is so dominant. There are those armchair physicists who pride themselves in red flagging every potential or actual flaw in a story that moves against the river of time. For those of us who rather enjoy or be immersed in a good story, we look for the tale to be largely plausible. Though if writers cannot be creative time to time, who needs fiction?

Movies have some of the best examples of jumping through history. Frequency had a father and son, years apart, talking to each other via solar phenomenon. Deja Vu had the FBI remote view into the recent past and sending an agent into time to solve a crime. In hard sci-fi, some of the most successful adventures in the Star Trek world involved warping through time. Witness the films The Voyage Home, First Contact and Star Trek. Or whole series such as the Back to the Future or Terminator predicated on opening rifts in time and avoiding (or creating) paradoxes. In a few weeks, X-Men Days of Future Past will add to the long list, and become the most expensive and, perhaps, most successful jump through the veil.

I never thought to write any time travel stories, as much as I have enjoyed those of others. Especially not weaving it into a fantasy epic, but then it just happened. More on this to come.

In the meantime, with time being part of the universe’s structure as it is, what if someone could transcend that dimension? Will this remain fiction?

Or has it already happened?

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Indie Publishing vs. Vanity Publishers

There is a difference. As Robert Bindinotto explains, vanity presses are:

…companies that make their money, not by selling an author’s books to paying customers (readers), but by selling expensive publishing services to authors themselves. They couldn’t care less how many books are sold; they care only how many authors they can enlist to buy over-priced “packages” of services.

It used to be that these companies (“… including AuthorHouse, Trafford, iUniverse, Xlibris, Palibrio, BookTango, WordClay, FuseFrame, PitchFest, Author Learning Center, and AuthorHive” among many others) were on the forefront of internet-based self-publishing. That all changed when e-books meant anyone could finally get their books in front of anyone else. As Robert writes:

“You do not have to buy ‘self-publishing packages’ costing $2,500 to $10,000 or even more, from companies that promise you the moon in promotion, marketing, and advertising . . . but never deliver. To cite my own example: I self-published HUNTERall for under $1,000.

So there are changes all through publishing, even in the sector that changed it all. What path have you taken or will take with your book? What have you experienced and what will you do different next time?

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Why “Fantasy” Fiction?

Fantasy author R.A. Salvatore answers this in The Guide to Writing Fantasy and Science Fiction:

Perhaps more than any other genre, fantasy is about the hero’s journey. In a world of seven billion people, with wars I can’t stop and legislation I can’t even read, the idea of one person being able to make a difference, the idea of one man or woman grabbing a sword and defeating the dragon and saving the village is quite appealing.

And perhaps it will inspire a hero or two in our own world to rise up.

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Storytelling Vs. Writing

Phillip Athans writes in his book, The Guide to Writing Fantasy and Science Fiction:

Storytelling is at the heart of any genre of fiction…Teaching writing is relatively easy, but teaching storytelling is close to impossible.

Think about that. In all the writing classes you’ve sat in, or writing books you’ve read, are all the grammar tips and sentence structure mandates what makes or breaks your story? Yes, if your mastery of English is horrible, then your book isn’t going to find many readers. On the other hand, if you follow every “rule” to the letter, ignoring the flexibility of the language, will your great story be buried under perfect 8th-grade English? Perfect schoolroom grammar and perfect writing are not necessarily the same thing. And perfect writing is not gripping, immersive or compelling.

That is where the story comes in. Stay away from those things that will ruin it. Be a storyteller first, and if you really care about that, the rest will come.

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