Thrilling the Reader with Real Life

Why are Thrillers named such? That’s largely up to the talent of the writer. They have to grab us and not let go for hundreds of pages. The best of them draw many details from the real world. Even in all the action and far-from-our-own-life-as-possible events happening to the characters, it’s those truths that hook you even further. They draw you in, get you thinking or upset you.

Tom Clancy is known for coming up with details in his techno-thrillers that seem almost too real. Sometimes prophetically so. They have even caught the attention of the military, wondering how he predicted events like terrorists using planes as weapons prior to 9/11. I guess the government doesn’t have all the smart people.

In Robert Bidinotto‘s Hunter draws from the author’s background in researching the criminal justice system. Amongst the action and spycraft it gives readers something to think about. Namely, problems in the justice system that few want to address.

Glenn Beck’s Overton Window takes events from recent history and weaves them into a fictional, yet troubling tale of what our nation could become. Politicos out there will be surprised that it is a story about all in power. It’s hard to tell politicians apart anymore, and perhaps the most insidious part of it all, much of what they do is out there in plain sight.

In The Constantine Codex, author Paul Maier, continues the current fascination with religious-thrillers. Lost scrolls, hidden secrets, haven’t we had enough? Except here we have Maier, a professor of ancient history, infuse his book with real history — nonetheless provocative to some — not the spurious pseudo-histories many authors draw on.

Many authors are talented at making their stories seem real. They have to be, because they are full of impossible situations, especially when you get into genres like fantasy and sci-fi. Those, however, who weave fact in their fiction, are those who best understand the craft of writing.

It entertains. It teaches. It provokes.

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Bypass the Publisher or is Self-Publishing a “Cop-Out?”

Here’s two perspectives from authors whose books I have enjoyed:

So, You Think You Need a Publisher…” by Robert Bidinotto and “Self-publishing as ‘Principled’ Cop-out” by Mike Duran. I plan on commenting on this topic myself here shortly, but I thought I get the ball rolling. Have fun.

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Indie Film Fest

I usually don’t talk much about films here, but they are written by someone. I like the big budget spectacles as much as anyone. They utilize the big screen format for all it’s worth. Yet, there are plenty of smaller-scale, limited release films that deserve viewing. Many are lower budget, but don’t look that way (thanks to technology being in the reach of just about anyone). So here’s my first selection of interesting films you may not have heard about. I’m not saying these are all Oscar winners or something that will change your life. They all, however, have managed to do one thing or another just a little different, or better, than what you may be used to.

In Another Earth, a second Earth appears in the sky. A complete duplicate, it’s implications for those on the first Earth are life-changing. Upside Down is in a similar vein, but here is a classic tale of forbidden love between two separated by class, but now also worlds, in what is a visual feast.

An Invisible Sign and Robot & Frank are both stories of families with histories and problems and how it shapes the children that come from them. See how they grow and overcome. Just a bit off-center, but are we any different?

The Debt is not based on history, but you’ll think this perfectly created Cold War story was ripped from headlines. Machine Gun Preacher is a true story, and an important one about the terrible world of Sudan, so often forgotten. Where are the world’s governments in stopping this genocide?

Trollhunter comes from Norway, and while some things are lost in translation, and it starts slow, there’s a lot going for this picture. A strong entry in the “found footage” genre and impressive effects for a small film. In a similar pic, Apollo 18, answers the question, “Why did we stop going to the Moon?” Playing into conspiracy theories, this found-footage film managed strong production values they make it seem like the “lost” sequel to Apollo 13.

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A Paymaster, Marine and Another Guy Steal a Starship…

Sounds like the start of a bad joke, but it’s essentially the beginning (more or less) of Ren Garcia‘s latest League of Elder saga, Sands of the Solar Empire.

This is book six of League of Elder series, but first of a new trilogy. Long-time fans will notice that Garcia is launching a new batch of characters in his universe that seems both far, far away and yet nearby (and all over the place in time). It’s a galaxy where ships battle, people live in castle-like estates, and magic of sorts is not uncommon. Throw in a bit of horror in from demons and other creatures, while you’re at it.

At the onset of Sands of the Solar Empire, Paymaster Stenstrom achieves his dream of becoming the captain of a warbird. His mission, not to glamorous to begin with, is doomed to fail from the powers that be. Nor does he have a crew and his ship is a wreck. But there is much more to Stenstrom than meets the eye.

That’s were the story jumps back a bit and starts from the real beginning: How Stenstrom got here to begin with and his past adventures and encounters with sinister beings. Unusual for a book to be mostly a flashback of sorts, but well-executed. Once it comes full circle to the start, and Stenstrom and his rag-tag crew he has assembled (of three, counting himself), they find themselves part of something far more dangerous than they ever imagined.

There at the end, you realize you just read a really long (and very good) prologue of what is most likely going to be another totally original, and completely immersive, series from Garcia.

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Nightmare of Editing

For you writers out there, editing can be the worst part of the process. When is your work really done? Good enough to begin showing to friends, agents or publishers? These are tough questions, with few easy answers. I’ll try two.

One, I read somewhere that you should take your best sentence or paragraph and use that as your standard. You know, that part that just pops. Every word is perfect. The flow. The content. Nothing is out of place. Compare everything else to those words and reshape until the standard is matched. This can be tough to do. During the writing, a lot gets thrown onto the paper. Now you have to really craft it like you are carving or sculpting. It is the editing process where people usually realize that writing is a skill. Good writing that is. The editing may take awhile, but you will know when each part is just right.

Two, delete. Yes, sometimes there is no saving a sentence or even a whole paragraph. Maybe a whole page. Remember that section you wrote that sounded so cool? You were trying to say something profound. There was some bit of great knowledge you had and needed to impart it on the reader. Chances are, it never sounded good. It never fit. Now, no reshaping is working. Erase it. Trust me, when you do it, you’ll feel better. Your story will be stronger and you’ll wonder why you wrote those horrible words to begin with.

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After Life Everywhere

There have been a scores of books recently on near death experiences (NDEs) and visits to heaven (and an occasional drop into hell). I briefly considered reviewing a wide swath of these, but there’s way too many. But I was also given pause by the thought, “Has anyone looked closely at these? Or is emotion at work here, much like Y2k and 2012?”

No, I’m not skeptical of NDEs in principal as a possibility. Many of these people’s experiences may be true in every detail. Others may have really seen something, though not really know what it was. There may even be a hoax or two out there, but I haven’t heard of many. In any case, I was pleased to find that Hank Hanegraaff wrote Afterlife, in which he does what few others dare to do:

Take the time to really read the NDE stories and see if their claims stand up to simple reason.

For people who don’t like their beliefs to be disrupted, Hanegraaff probably doesn’t make a lot of friends. All that he is doing, however, is some simple critical thinking. Like asking, “Why do so many of these accounts seem colored by the person’s personal beliefs? Why is everyone’s vision of heaven different?” (paraphrasing Hank here). Indeed, those are good questions.

Since many of these accounts come from Christians, Hanegraaff compares the accounts to biblical theology to find the hits and misses. One interesting NDE has a man describing heaven nearly identical to the Apostle John’s version in The Book of Revelation. Was John’s metaphorical attempt to describe the indescribable so perfect that others couldn’t at least try to use different terms? I think experiencing heaven would encourage one to be a little more creative.

I glad someone is out there doing the dirty work. Also a bit sad that using basic reading skills is now “dirty work.” For those who think this is an exercise in futility because they think there isn’t an afterlife, there is a massive body of work from both scientific and theological perspectives that strongly argue otherwise (such as Brain Wars or Immortality, to name a few). But that debate is not the point here.

It’s okay to let emotion draw you into a book, nonfiction or fiction. That doesn’t mean you have to turn the left side of your brain off. Especially in nonfiction.

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Removing the Wool From Our Eyes

Bradbury. Huxley. Orwell. They all wrote, each in their own way, about the corruption of those given power. It is the belief of those few that they know what is best for the many. Their desire to shape and control your life. Their increasing ability to pull the wool over your eyes.

And that is where Hugh Howey’s Wool steps in and joins the classics of these other writers.

A dead Earth in the future where everyone lives underground. The residents of Silo 18 are all that are left. Their underground city must all work together to survive. No one can leave the Silo. Death comes quick in the old world. But there are rumors of the past. What came before? What happened on the surface? Is it the destiny of man to live under the Earth forever? And why must people be sent out to preform the Cleanings, never to return?

Some of the residents dare brave ask those questions and risk their lives. The answers are disturbing, but will they also change the future? Or will they condemn it?

Howey’s book is a cautionary tale that will become a classic of Sci-Fi’s subgenre of post-apocalyptic fiction. In an era of ever-growing power in the hands of the few, it is a tale that needs to be told.

It is also a story of how the human spirit can never be suppressed forever.

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Are you a Truthseeker?

“There are a dozen views about everything until you know the answer. Then there’s never more than one.”
– C.S. Lewis, That Hideous Strength (Part 3 of the Space Trilogy)

“A man should look for what is, and not for what he thinks should be.”
– Albert Einstein

“There are two ways to be fooled. One is to believe what isn’t true; the other is to refuse to believe what is true.”
– Søren Kierkegaard

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More Than “Just a Fantasy”

It’s not often that popular fiction stays in print for decades. Even less often does it have the depth that allows it to transcend the imaginary barrier from pop to literature or even to the status of classics. Even most of what is today referred to as literary fiction, well, won’t stand the test of time. Every so often there are books that do the impossible. J.R.R. Tolkien’s Middle-Earth, as embodied in The Hobbit, The Lord of the Rings and The Silmarillion, have done just that and have endured for over a half a century.

Many have only been exposed to Tolkien’s world through the recent movie versions. Or perhaps you think fantasy is just that, fantasy. Elves, trolls and big battles. Doesn’t sound very relevant to the real world, does it? There must be a reason why Middle-Earth is still the inspiration for an entire genre and still attacts millions of readers decades after its publication.

Because it is relevant.

Like any great book, the author has the primary responsibility for its success. Tolkien was a scholar, not a fiction writer. His mastery of history, language and culture allowed him to create an alternate history of Earth. This wasn’t his most important strength, however. Like any writer, his beliefs and convictions inform and influence his words on paper. As a great writer, he didn’t strive to lecture or teach as much as meant to entertain.

And so there have been endless books critically analyzing every aspect of Tolkien’s world. Most of today’s “literature” never warrants such study. One of the best such scholarly, yet accessible, endeavors is Matthew Dickerson’s A Hobbit Journey: Discovering the Enchantment of J.R.R. Tolkien’s Middle-Earth.

Dickerson explores Tolkien’s many themes such as the free will of men, moral responsibility and war. This last may be apparent from the film versions and people may think it the overwhelming part. Indeed it is in many ways, but Tolkien wove many subtleties in his stories.

War is at time necessary, but takes a terrible toll on all, even the victors. That is clear in the books, as is that the forces of good should never use evil to conquer evil. The means don’t always justify the end. The Ring could be used to destroy Sauron, but at what cost? What did it do to all that did use or want it, often with the best of intentions? Even the way the “good guys” treated captured enemies was diametrically opposed to how the Enemy treated their prisoners. Moral and military victories aren’t always the same thing. Discussions like these in Dickerson’s book reveal some very deep issues embedded in Tolkien’s books.

Thoughtful people will begin to realize that all the screaming “experts” on television who pretend to be intellectuals, never approach the mind of someone like Tolkien. Unlike them, he doesn’t preach, browbeat or lecture his readers. His beliefs are so well-thought out, they naturally flow within the story. They make his book an endless treasure chest to be searched.

The films captured Tolkien’s world better than any other book-to-screen adaptation, but there is much more. If you are someone who likes books that can reveal new depth at every reading, or you have never delved into a book for a literary study, Dickerson’s book will surprise and challenge you to do just that with Tolkien.

And no doubt you will pick up Tolkien’s books again and read them like it was the first time.

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5 Things Not to Do on Your Novel

1. If the publisher is going to write the genre on the cover, make sure it’s right. I once saw “futuristic” instead of sci-fi. Really?

2. I realize some authors become so famous, whatever they write will sell. That doesn’t mean the back cover should just be a picture of them and nothing else.

3. I know a lot of research goes into many books, that doesn’t mean explain it all at the end in some “Author’s Notes.” For a few books it does work, but there is a fine line. In most others, it just sounds like you are trying to impress people, or worse, explain why you wrote what you did.

4. The teasers on the back of or inside the cover shouldn’t give spoilers to your plot.

5. Don’t put “A Novel” on the the cover. If people can’t figure out what kind of book it is, I’m not sure they should be reading it.

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